So I'm attending today very open minded to what's on offer and what may be instore.
The morning is given over to an endless list of photoshoots, as well as autograph opportunities. I'm only going for one photoshoot with the Troughton brothers, David and Michael. I've never met them before and it's a wonderful chance to meet them both together.
While waiting for my call for the photoshoot, I gathered a few autographs in my book.
Next to Jeremy was David Garfield, who appeared in Leela's introductory story, The Face Of Evil. The moment I walked in the room I saw David catching my eye. I wondered if he had recognised me, as some twenty-five years ago I visited him a this home to interview him about his fleeting appearance in The Prisoner. He only had one line, but his memory of filming it was clear as day. He delivered the line perfectly, but his shot finished with a crash zoom on his face, but the crew had a problem with the camera and there was a shudder, ruining the shot. After over 30 takes they finally got it right.
David remembered me visiting him and we had a good chat about it.
Also attending is Sylvester McCoy, and although I have him in my book already, I want him to sign something special for me.
Bonhams Doctor Who Auction and bought the Seventh Doctor hat and handkerchief lot. I subsequently sold the hat and two of the hankies, keeping one for myself which I have framed on the wall of my workshop.
I asked Sylvester to sign the mount, titling it with SEVENTH DOCTOR HANDKERCHIEF, and signing his name at the bottom.
Chatting to David it emerged that in the 1970s I had attended the same theatre club at the Arts Theatre in London. The brothers were at the Unicorn Theatre during the early 1970s, and I was there for the latter part of the same decade.
At 2pm it was time for us all to take our seats for the interview panels, which took up the rest of the day’s proceedings.
2pm Sylvester McCoy
The organisers of these conventions have learnt (maybe to their cost) that it is near impossible to wrangle Sylvester and do a sit-down interview with him.
So, at the very outset, all they did was introduce him, hand him a microphone, and set him loose on the audience!
In this format Sylvester is in his element, walking around; meeting the fans; holding the microphone so they can ask questions; then going off on his entertaining tangents before finding another eager fan to ask a question.
One of the first topics of conversation was the TARDIS. Sylvester explained how his TARDIS prop was getting old and battered, having served a few Doctors before him. It was cramped inside as there was often one prop-hand at the back holding up the roof in case it collapsed on them; another prop-hand would be sitting in a corner with a car battery and two wires to touch together to operate the lamp on the top; and - in a soft and lingering voice - there was Sophie....
Sylvester told the ever popular tale of filming with Daleks under the arches of Waterloo station where the explosive special effects were mistaken for an IRA terrorist attack.
Someone asked about Dimensions In Time, and Sylvester remembered working with Louise Jameson. Shot in a weird form of 3D, it required the camera to be constantly moving to sustain the illusion of depth. So for his scene the camera encircled the pair of them, twisting the leads around their ankles. He didn’t seemed too upset at being pressed close together with Leela!
The subject of sonic screwdrivers came up - something his Doctor never had, so when he was required to use one briefly in the tv movie he wasn’t sure how to use it. As it turned out he was holding it back to front and the producers had to blur the head of the sonic to disguise Sylvester’s ignorance of how to use it!
Finally the subject of his costume came up and to illustrate what he was talking about, a cosplayer in Seventh Doctor costume was pulled from the audience to model for him.
THE HAT he explained was his own trademark and he wore one to the audition. It seemed natural for him to wear one in the part.
THE UMBRELLA was partly Sylvester’s idea, and he seemed quite pleased with the result.
THE PULLOVER was not his choice, and the excessive question marks all over it was a bit to blatant for Sylvester’s liking. He much preferred the waistcoat worn in the tv movie.
2:45pm Michael and David Troughton
This panel was undoubtedly the highlight of the day for me. I've been aware of the two Troughton brothers in a variety of productions down the years, and they have both made appearances in the new Doctor Who: first David in Midnight, then more recently Michael in Last Christmas.
You could feel the sparks of brotherly connection between them from the moment they sat down, playing with the interviewer as to which was which, leaving him and the audience confused from the outset.
3:30pm John Guilor and Tim Treloar
Interesting as this panel was, it didn't keep my attention for very long.
Both voice actors are very skilled, but I struggled to maintain focus as they told stories of being repeatedly asked to do comical impersonations of a number of Doctors. Big Finish are nothing if not prolific, but I still do not accept their work as being canonical to the main series.
3:50pm Edward de Souza, David Garfield and Jeremy Young
I was quite looking forward to this panel, as all three actors had played character parts in a lot of films and tv series I love from the 1960s.
Edward de Souza, of Portuguese and Indian heritage, starred in a couple of Hammer films (The Phantom Of The Opera and Kiss Of The Vampire) plus a number of appearances in The Avengers. He had an Avengers-off with Jeremy Young who also had made multiple appearances. Edward recalled Joanna Lumley, who he would say “Hello LumLum, show us your bum bum”. She never did apparently. They both remembered Patrick McNee fondly, though Edward chipped in that he was a nudist and went to America. “He’d show you his bum bum”.
4:30pm Matthew Waterhouse and Geoffrey Beevers
This panel proved to be a gem - not for anything of significance that came out of it, but just simply to watch Matthew make his usual prat of himself.
The panel opened with discussion about how each were writing novels. Yes, you did read that right.
Mathew would apparently speak his book into a recording device, performing the unfolding text like a live show akin to a talking book. Geoffrey, on the other hand, would just write it down.
By all accounts Matthew's finished book was quite tortuous, centring on a love story that sounded like teeth being pulled.
Geoffrey had written a piece in the 1980s, only publishing it now. Beginning in a monastery, it explored how the past views the future, and the future views the past involving a non-sci fi time travel.
Sometimes these a lot to be said for print-on-demand self publishing, and sometimes there is not.
4:50pm cosplay competition
The day ended with the usual cosplay competition which was won by the Ood!